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513

XVIII. Intemational Congnss of

A1nm·icwni

ts.

'!!

en

la mano derec/¡a

sn congacuclwna,

y

en

la

ysq1tie1·da

un

quitasol,

and

in

his right hand

his

con,c;acucl!ona,

and

in

his

left

a

parasol,

y

s1t manta de encarnado,

y

su camegeta a1'1'iua

colo1·ado,

y

en mecho

(;res

and his flesh-coloured ID<tntle,

and

the upper part of his tunic

red,

in the midst

three

betas

de

toaapo,

y

bancls

of

tocapo,

ancl

en los p1:es.

about the feet.

lo

de aztajo

the

lower

pa.rt

of it

aml cla1·o,

y

dos

was light blue,

:;.nd

two

atad&ros

ties

Evidence for the manner in which the author has obtained his information

from official portraits is also given by the following remarks upon Inca Roca:--

" In the right hancl he helcl his son

.

.

. a very beloved son, ancl therefore he did not

loose him because he was very small and under age; the boy's mantle was pink, his tunic black,

with two bands of tocapo, <tncl his llautu red, and the mantle of the said father was a ligbtgreen,

and the under part yellow and blue, and four ties on his feet; he was a stout man and very

strong."

The true rea. on for the cüstom of representing Inca l=toca holding his son by

the hand was quite different. Apparently the story that the chilcl. of this Inca had

been stolen by his enemies, ancl was given up for lost, but that he finally returned

to his father, was unknown to Huanian Poma.

Pachacuti Inca, the great conqueror and organizer, is represented by Huaman

Poma as swinging a sling. There is a portrait of this type, but of Maytac Capac,

in a series of thirteen Incas on the title page of the fifth decade of the

Histo1·ia

general

of Antonio Herrera. On the same title page a helmet is worn by Inca

Urcon, a son of Htúracocha Inca, and by his successors. Huaman Poma employs

the helmet asan attribute of M.'aytac Capac, Inca Capac Yupanqui, Yahuar Huacac,

Htúracocha Inca, Tupac Yupanqui and his two successors. Both agree in giving no

helmet to the first Incas.

o details are given by Huaman Poma of the dress and colour of the

garments of the fifth Coya, Chimbo Mama Caua. Evidently he lmew no picture of

her to supply t he lack.

She had been deposed, because after her marriage to the

Inca she contracted a disease of the heart, which caused her to bite during the

attacks. Her husband therefore obtained permission from bis father the Sun to

take another spouse. Huaman Poma shows her in one of her fits; a servant

hastens to help her.

From the pictnres we leam what Huaman Poma means by the Qtúchua terms

he employs in his descriptions. According to him

Uautu

is a string that encircles

the head of the Inca, and

mascc~

1.1aychct

a fringe fastened on that string, or worn in

front of the

u?na

chu.co

,

the helmet. This qtúte agrees with the results of the

investigations of Dr. Max Uhle.

1

Whether

1tc~yoc

ticct,

the "weaving flower," may

be a rather ceremonious epithet for that fringe, or the name of another part of the

head-dress of the Inca, I will not decide. The

pluma

de

quitasol

is a tassel,

Cl'OWned wÚh three featheÚ, the famous

C01'iquenq1oe ticco,

and fastened Oll a littlé

1

llev.

Hist.,

Lima, 1907, vol,

ii.