brush of Van Dyke; the Virgin and Child which
appears to be a copy from Murillo; the Birth,
and others. Hung high ín this sam,e room are
paintings of all the Bishops of Cuzco, from the
first, Fray Vincente Valverde, to the present, Dr.
Pedro P. Farfán.
Passing from the Vestry to the arch which
runs back of the principal altar there is the "Des–
cent"; at the altar to the right, copies from Rub–
ens. Near the transept, on each side of the two
doors which connect this temple with the church–
es of Jesus and Mary and the Triumph, are can–
vasses of exceptional execution and tints-such
as San Cristobal, the lVIagdalene, San Felipe, and
others.
X
fue lower part of the canvass at the
front, facin-cr J
$US
and Ma y, is the. lik ness of the
Knight of Cala r va, don.. Francisco Valverde
l\1ontalvo, to whose
d~votion
is
due
the said
painting
w
ic was executed ·n 1691. From the
columns hang paintmgs of the prophets, among
"" 7
hich are sorne of interest.
Sculpture.
There are numerous images of interest, for
·example, that of Christ, called "Protector from
Earthquakes" on account of the almost fanatical
veneration of the population of Cuzco, dating
s]nce the great shock in 1650. As described above,
on
that occasion,
this
crucifix vvas carried
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