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330

M

U

S.

""J'h:

h.l;,ra~ny

of the rcvcolh bar in the:

ha

example,

1$

::tltercd in the rcpetitioo; though the notes of lhe

lidl

treble: be

lhe

Came.

In (he (id\:

¡nnance,

(he concord:: are of lhe key and

Slh . In lhe rcpc:tition, lhe conconJs are of me 3d and

fI

at

7th.

.

!

n the "rn innance, the r . lfage rrom the 5th .nto the

key. (in the Bth b..,,) beinc the gre., c.dence. is jull . .

Bu, if o.h«wire a cloC. h. d breo made on ,he

3d,

(.~

lhe

8th bar.)

lhe hannony

i!l

(he {econd

¡Rfiance

mufl,

'tor ,he

r~l11e

rearón,

be preferred.

H ence it will be eaCy 'o decide in

an

/la< keys, (tO

which only this

c. C"

belongs) when tile harmony of .he 3d

ís to be par[ of the concord of lhe key, anu lhar of lhe

'o

the concord of lhe 5th;

01",

when lhe harmony of

lhe

3d

is to

be

ies

own concorJ, anJ

that

of lhe 2d or

4th pan of the concord of the /la, 7th.

H ence, .nd from corollary

l .

of ,he theory, and from

lhe demunnró\lion of the harmony of (he [I;!mitonl!, we de·

Juce this general thc:orem.

The truell harmony is p.oduceJ by the whole concords

tak~ogether

(J.lllng in fu ccdlion, as fre'luent as is con–

fillent with the . pproved rules of humony, by. 5th .

W eCh311 pllt an c:nd

tO

compo(jtion in dHee pans , with

the follolVing cx ample in a

/1..

key, being one of theCe

aboye in

( \Vo

pans.

No. 47.

1~he'

ufe \Ve fuall make of this example is to remark,

that .lthouoh the baCs be altcred from that which is fo<

in lhe

lamt

example

in t\Yo parts

~

yet lhe harmony is

lhe fame, as is

c:vident

from lhe harmullic figures (el ayer

cach o

Sccoodly, T he 4th h:w ing its own concord, palres

iOlO

(he kcy,

oc

3d, in

lhe

pallage

of

quick

nOles ,

and

whc:rc. there is

nOI

a

clore.

BUl wherc, on lhe 6th bar,

a c10re is made on the 3d. the baCs m?king the gre"

c;¡JencC'.

lhe 4th in lhe precedinr. bar is

pUl

of the

.concord of the /lat 7th. A nd thu, the whole harmony

f.lIs a 5th.

\'le have al tered the blfs alfo to anfwer the purpofe of

the müvc:ment of lhe upper

pan s

in lhe

cloreH

harmony.

And likewifc

la

pro\'e, that

compofjtion

of

Inany

pan s

JifFers from that of

t wO

only. A truth which every

COm –

pofa

Chould

alwd.ys

luve

in

view.

l;'or

it

will

be

fauno,

UPOI}

trial, that,

when

lhe

mufick

is

Cet

in

twO pau so

ir

il

be rcquired

10

add a

third,

it

wiIl

not

be

io

lhe powcr

of

the: com?ofer

to

give

that third

pan

'tn

airo :\

rnd.t –

te r

which

ou~ht

to

ue

Cludied

by

.tl l ntC':lns;

and which,

~

is

c·;id:nt

from

lhe eXdl1l p!e, C<lO

be

executed,

without

~ njurin~

lile

humony in

the

l.:afl.

by

compofing

the thl

ce

put..

u~cthcr.

W e thul!rnre reco01m: nd

it

10

(he pratlitioner

10

ma!(e

himl('lf

perfc.:I...'l:

in

lhe

eornpClfition

of

two

p.trts. befare

he

cng'l!!cs in three; as he \ViII th

re

by

nOl

only

Coon\."r

be::

COIl"!

m~ftcr

of lhe

harmony;

bm

alfo,

by ..

Ii(cuvel ing

more

clc:lI ly

th\! J incrence

\Ve are

poin tin~

OUt,

\Vtll ex–

tCU1~

lhe eompofilion of

threc

pans

Wilh

more

eal:: Oll1 d

propriety.

S~{t.

4'

C;l/Ipofi'iol/

o/"FOUR P J\RTS.

1

~

c<.mpo(jtiun of "

pUlS,

evcry

no te

in lhe concord

is

talen;

oc

tO

I:.\'CIY

note

ttH:r'';

is f l11 h.\nuuny.

e

K .

The fourth part, or tenor, now to be

~dded,

conr.n.

of Ihe

rem~i D illg

no te

of

the

concord, which \Vas

nOI

ufed

in

compofition of

[hree. The oétave therefore will u'ke

pl ace

in

the

concord of every

nate.

The

eont~c\1tion

of

which, as well as of 5ths and 4ths. is to be avoidt d be·

tweeo the fame

parts.

The rules alread y delivcrcd in

the

compofition

of duee parts

muO: be

attel]~ed

tO

in

this .

E xaOlple ofthe .Ccending notes of the oélave io compa–

filion of 4 pans. No. 48.

S EC O N O E XAM PL E .

In the deCceoding nOtes of the oélave in compofition of

4 pans . No. 49·

THI RO E X AM PL E

in

4 Pnts .

In

A

/1."

No. 50.

F OU RTH

EXAMPL E

in

4

farts.

In

G

lIat, No. 5

t .

In

compofition

of 4

pans,

it \Vas

raid,

that

to

everynme

there is full harmon y. N otwithn.nding. in the ,id l ex–

ample,

the

fixth notes of the fi dl.

treble

ttnd

tenor ue in

uniCon;

eaeh

being a 6th

tO

the

bafs ; fu thal

the oébvc:

hath no pan in

that concord.

This is done

tO

avoid the

confecution of

8lhs, hy

the fucceeding note of

[he!

tenor.

whoCe place mun be, for the .ir's f..kc, tbe 8 th

to

lhe

bafs,

as

well as

tO

bind

the

harmony.

In the fecond example, the reventh notes in the "rfl:

and fecond

trehles

are

in

unifon;

borh being a

5th

to

lhe:

baCs. L e, not this be undernood

10

be a conrecution

0 1'

5ths,

as

they

are

memhers

of

the

fame chord;

bu[

i,

done for the fake of the air of the f<tond treble. L e!

this

remark ferve

fur

tvery

like in(laDee

which may

hap.

pen

hert'aftcr.

In the fifth bar of the third example, the Cecond note,

the

fecoad

treble

and tenor are in uoiCoo .

This

is

done

tO

avoiJ the

conCccutioo of

t}ths,

whlch. had

the:

lenor

kept his

pl.ce

, would have h. ppened froOl the furegoing

note

bctween the

{j rC~

treble and

tenor.

10 the fdme

examplc, there

is a

conCecution

of

5ths ia

the

tuto

next bars,

by

lhe

tenor

falling

a 4th, and the

bafs

ri(jng

a

p h.

T llIs feeming

error

is toleratcd .

fince

it

is dreéted

by

cont rary mOlion

of

there

pans .

For as

well

as it is

by

the contrary motioo of tite pal'ls , that the

conlecution

of

perC~I...'t

concord9

is

avoided ;

fo for

lhe

Carne

re~fof1. t~e

f.\Olcnl.!fs o(

the

h;\rmony

cl ililpp;!arS,

or

efca pcs

tht: ear;

c:fr~ci,dly

ir.

compofition of nlany parts.

By

lhis

reafon, the confeculion

of

4th, is

prevcnted

by

lhe

bilfj,

riling

a

3d,

ac~ording

to

the ¡irU obC!.!n ·,nion on

this

cx,101ple,

at lhe

5th

bar.

For

that woul\1 have

hap–

pencd

by

all the

r .1rfS

JefcC'nding ;

cha l

is. not h:willg

contr;

a.ry

metian. 1 'he

Cccund

nOt~

then

of

lhe

Ud'S

in

lhat bar

is

chanr.cc!

rrom

that

\Vhi..:!l

is

f~t

in lhe

Ltm~

cxamplc:

in

lh r~('

pan s.

A Ic\V ceneral

remad;.,

occur in this place. frol11

'001·

parinl! tht:

compulitiol1

oC

four l'.\ft S with

tl12t

uf .thr<:r.

t:'lrtl,

\\rhC'le~s ~hc p...:rrc,,~1:

concorJs

h~,\·.!

pJ.u::e:

in

h"mc.::

pu:

of lhe: h:lrmony of l'\·l.!ry

note

in

muli.::~

of 4 roll ts ;

fu tI'e ("h ... llc!.!!' of lhe

con!c("lItloll

o( Slhs .\11.1

;ths.

l, ..

IIl !

mor;;

Jrl"()1h'lH_

l h~

more 11.111 :md

.n\l'I111~1l

will l'c

n"r

ll '

J

l J tO

J.\o..,id

1I1t.'1:l.