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D

n

A

-15 3

D lt

A.

The oaths of the merehants imponing and expon·

jng are required tO obtain the

drawh~ck

DI'

furei~n

goods, alli, ming the uuth of the oflicer's eenifiCJtc of

the entry, anu the due payment of the uuties: anu

theCe nuy be made by the agenr Or

hu{l¡~nd

of any

corporarion or company, or by the known Cervant of

any merehaot uCually employeu in making his enuies

and pa)'ing his cufioms. In regard to foreign goods

eorereu outward, if leCs quanti,y or value

b~

(raudu.

len!ly Ihipped OUt than is exprelfed io tbe exponer's

certificate, the goods therein

mention~d,

or their va·

lue, u e forfeited, and no drawback to be allowed for

the fame. Foreign goods exported by cenificate, io

order to obtain the drawback, not Ihipped or exporto

ed, or re·landed in Creat Britain, unleCs io caCe of

difireCs, to Cave themfrom perilhing, are tO

10Ce

the

benefit of the drawback, and are forfeited, or their

value, \Vith the velfcls, horCes, carriages,

cre.

em·

ployed in the re.landing thereof ; and the perfons em·

ployed io the re.landing them, or by whoCe privity

they are re·landed, or ioto whoCe haods they lhaU

knowingly come, are to forfeit double the amouot of

the drawbaek. O/licers of the cuf!oms conniviog at,

or aflifiing in any fraud relating tOcertifiem.goods,

befides other penalties, are to forfeit their oRice, and

to Cuffer fix momhs impriConment, without bail or

mainprize; as are alCo mafiers, or perCons belonging

to tbe Ihips employed therein. Bonds giren for the

exponation of cm ificate.goods to Ireland, mufi not

be delivered up, oor drawback allo\Ved for any goodS'

tiU a certifieate under the hands and Ceah of the col·

letlor or compuoUer,

&e.

of the cuUoms be produ·

ced, tefiifyiog the landing.

The computalion of \Vhat is tObe drawo back upon

the exportation of foreign good!, may be feen uoder

their reCpetlive heads.

DUW' BP.' OCE, a bridge made after the manner of a

fioor, to draw up, or let down, as occafion Cerves, be·

fore the gate of a town or cafile.

DRAWINC, in general, denotes the atlion of pulling

out, Or haling along: thus, we read of

tooth.dr

~wing,

wire·drawing,

&e.

D ~A'I" NC,

the

3rt

of repreCeoringtheappearances of ob·

jeas by imitation, or copying without the anifiaoce of

mathematical rules.

The

g~neral

precepts for drawing are as CoUow :

/. Begin with plain geometrical figures, as lines, ano

gles, triangles, polygons, arches, cireles, ovals, cones,

cylinden, and the like,

b~ing

the foundation of all o·

ther proponions. The cirele is of uCe in the Ceveral

orbicular forms, as the {uo, moon, globes,

&e.

the o·

val, in giving a jufi proportion to the face.and mouth;

aod the Cquare confines a pitlure you are to copy,

&e.

tI,e uiangle i, of uCe in drawing a fide or half Cace;

angles and arches, in perCpctlive ; and the polygon, in

ground'plots, fonifications,

cre.

the cone, in Cpires,

lIeeples, tops of towers,

&e.

the cylinder, in columlls,

pillm, pilaflcrs,

&e.

See

P EKSHC'f'VE.

2.

Having brought your hand

10

be fit and reAuy

in general proponions, accufiom yourfclf tO give cve·

ry úLjetl its due O,ade, according

10

its cOllcavity or

VO L.

11.

No. 45.

3

rOlll'c:<ity, and to devate or depreCs Ihe raalc,

~;

the

ol'j..lt appe:\l s ci:l", nearcr or Imher olf the I,C"t.

3· Tile

Iecond lil a ice

01'

d,;,wing, confitls in,'orm.

inr. C",i,s, as "l'l'lcs, pears, cherries,

&e.

"ith lhcir

le.lve~ ;

the imita,ion uf nOWCIS, as rofe;, tul,ps,

c~r'

natiollS,

&e.

!terbs, trce!,

&c.

of dilfcrent kinds.

The lhird, in the

imit~tion

of beafls, fowls, filh.

es,

&e.

The fonnh pratlice of urawing confifis in the

imitation of the body of lOan, IVith

~II

ilSlineaments,

as head,

noCe,

eyes, ears, check" arms, and lhauolVs,

all exatlly proportioned both to the IVhole and to

one another.

6.

The fifth is in the drapery, in the imitation of

eloathing, and anificially Ceuing off the outlVard cover.

ings, habit, and ornaments of the body, cither of e/oth,

flulf, filk, or linen, in their nalural and proper folds .

7.

In drawing of all the forms before·m:otioned, it

is requifite tObe lirfi perfctl in the laying down the

exatl proponions ; fccoodly, io the geoeral or outward

lines, before you proceed tO Ihadowing, or trimming

the IVork IVithin.

8.

In mixed and unccmin forms, \Vherethe cirele

{quare,

&e.

will be of no uCe, but only in Ihe

jde~

t~ereof

in your Ol\'n fancy, as horfes, oxen, and the

hke, you mufi do it by judgment, and

Co

gain the

true proportions by afliduous pratlice : thus havingthe

fhape of the thing in y.our mind, firn draw it rudely

wnh a coal ; then, w,th more exatlneCs, with alead

or pencil ; then peruCe it well, and mend it in thoCe

pans you have erred in, according to the idea youcaro

ry in your mind. When it is mended by your OIVD

judgmeot, compare it with fome good pauero of the

{ame kind, and amend it by that.

Having good copies to draw after, learn to re.

duce them to other proponions, either larger or Cmal.

ler ; and this by frequeot pratlice.

10.

Let a perfetlion in drawing be auained by di.

ligent exerciCe, and the infirutlion of a good mafier,

?efore there be any

aue~pts

as t? colouring and paint.

IOg; for the former bemg auallled, the refl IVill be

eafily underflood, and gained by frequent pratlice.

Particular oh/uvationl 'OIi:h regord to

DRAW' NC,

are

01

1

0110'01/ .

l .

If you draIV after a print or piQure

pl~ce

il in Cuch a light, that the glofs of the

colour~

may not interrupt your light, aod that the light and

y.our eye .may e9ually and obli9.llCly f;¡1I UpOD the

p,ece, wllI,ch OlOuld be placcd at

I~ch ~

difianc<, that,

upon opcmng your eye, you may v,ew

It

at once : the

I. rger the pitlure is, rhe greater d,lIlnce off it nlOuld

be placcd: it Ihonld alCo be right before you and

a

Jiule reclining.

'

2.

Draw your out·lines at fi rfl vcry faiot, and witi.

a coal; anJ let

the,~

be drawn agreeable to the pat.

tero, before yon beg,nto Otadowa"yI'"n

uf

it.

Wh~n

you have draIVo one featu re, it Ihould, in COOle lIIea.

Cure~

bea

di'T~ioo

for you to dralV the other, by ob.

rcmog lhc d,lbnce frOIll ,hat tú the

nc~t

fe.\lnrc ·

lila.

kiog a

flll.tl

l lIIark at the

plac~

I\'ith your coal,' thcn

drJw it, and Co to the neXI, till yon hav< drawlI

Ih~

whole figure.

t

4

X

Th~n