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34n

M

U

1)

iJ.its. as prcfixcd

in

t:,,e'

eX;\ITI?k',

do

more

mClhodlc311y

follow

ti\';

rCnh)\' lni~

lit..:

grl.!..tcr 7th

by

a fl:u.

1'he d..:

manllr.ui(

)o is

lqually cen,,;n

~ nd.

c1e:u

iD

bIJth

m.mncrs. L et

it

be r(':n:.:mbcrcd, th.\[ in lranfpuGng,

by

altcring lhe

grl"lt~r

71!I, ¡he

key

is r-:movcd 10 lhe

~th

aho\·c.

L et as proc;!.!.i

tl"\

trJn (I'0~ti..,n

in

11

\t

key: lhe ge–

ner;;!

rul~

uf \\'h,eh is lhe r 'me H fo r lhe

(ll1rp.

lO

rClIlovc

.lhcfcmiwncs, anJ t!H:rl'by preferve the

proportlon

of

die

kcy.

:r hc diffcr:::1t

pi

Ices

of lhe femitonc wiJl cauf!! (ome

ifari:llion in Ihe

di {l.

or

intcrval

Clf

tranr'po(i tiull.

L Cl

it

be

rcqui rt· ~ .

,lc.;urJing

to

ou:'" method,

lO'

tranCo

por:

ou t of

l he:

0l'cn or

natu r;¡lIy

R.H

key A,

ioto

that

whi..:h

is ncxc

by

natu ral fucceffion .

T he firHremironc in lhe

k~yor

A is:the 3d, or

e;

which,

by

the additioo of a OlUp, becomes the greatcr 7th:

wllercforc,

the nt!\V key. or th at into

which the tune

will be ".n[po[ed. is D. No.

104.

For.

L et

it

be remarked, that the grc:ater 7th

which de–

termtnes

{he n:w

kcy

in

this

a; wdl as

in

th~

Ol-trp

key,

is Dc:ver

prefixed

tO

,he

tun'! ;

which

(O

lhe

!ltarr

key :tI–

ways ¡s.

The rearOD

¡s, th :u the fht

7th is lhe

propcrt)' of

the

fiat key. "f o prdix therc:fore,a fllup tO the plac," ortllls

Bote on lhe llave, or

beg;nlling

of the tune, would be a

conOant contradiélion tO all the n.u 7d1! that mayacco r

throughout the whole

airo

Bm

Ihe

Ourp 7lh, when

brought in at a cloCe, Oliddle or

final,

or elfcwhere where

there

is

no

clofe,

is markcd pHticularJy as occa(jon re·

quires .

Ano,her rea[on for no' prefixing • (h"p on ,he llave

1'0

the place o( the 7th of a Aat key is, thJt, in foml!

keys,

rhe 6th

muO have

its

llat fet on the nave.

or

becinning

of

lhe writing! a {hup,

then,

on the

place of the 7rh would

oprear a conlraJiétlon

t O

úght,

and oun1n therefore

(O

be ••oided.

The remo. al by tr.n[pofi,ion in ,he

Aa<

key heing

.1-

ways

to

the

4th

aboye

:1$

in lhe

I..ít

exao! t-'Ie, there

needs no other

ex~mple

at

Jength of tranfpofilion

in

this

key,

the Colme

pro ponion

outaining

l hroughout evcry

key

wi,h a

na<

3d re[pec'lively.

According.

1hen,

to

this proponion, lhe ncxt key afler

D

\ViII be

G;

,te 3d of

,he

forme'. or

F

na,ural. he–

cc:ning F (harp ,he grca,er 7,h, E Aa, its 6,h.

The

next

""¡JI

be

C. Its

grea1er 7th is B

natural,

with lhe

addi,jon

of :\ fLlt

to A

i\s 6th.

The oex, \ViII be F. \Vi,h ,he .ddi,ioo of.

Al<

'o

D

its

6,h .

T he nex' won ld he

B

flato

wi,:, ,he .dJilion of a na,

l O

G

ii.s

6th,

nC\'cr

uCcd.

T te nex, wonld ue

E

Oat. wi,h ¡he addi,ion o[ COa,

¡es

6th,

nc'\'er ur..:d.

The nex , woulJ be A

¡¡,H.

\Vi,h ,he aJdi,ion of a Oa,

to F its 6 :h, oc,'cr ufcd.

The

next would be

O It.u, wilh

the a¿dition of

(\\'0

l1.11S 10

H.

ncvcr

ufcJ .

T h'! next wonld be F Ollrp. <'its 6th O, nevcr

UfLJ .

1 'he

nexI

is

n.

iu

grc:\ter 7th A fharp .

Thc next

jo;

E, from whence

wc:

a!"ccnd

by

i1

4 h ioto

Ibe

fi rll kcy

A.

e

K .

H c!nrc

il

i!>

r1ain

thcrc..

¡¡re fl' \'cr.

n.u

k ~y'i

;:1

:.lfe , out

of th : lwelvc remitonts in the

o{l.;\·c.

or

wh;eh the rnl–

lowing

:1re

examples,

with

chc::ir

(JI

opcr ligos prc:fixed.

No

10 1.

I t

may

be

ohfc:rvr,i, t.l .Jt

:)1'

L lOging

rhe

pldce of

¡he:

otht. r

(C:ll1ii(,tI'~

or

61 '1 ,

''''y

.uldlLlJ; "

fh ,;rr, the

tranrp'l~t;oa

is

by

two

d~g, ec..~.

lit

dll':

fu

l'

'11:':" ,H

on e : as frull) A

in:',

G,

3nJ (o un, Bllt dll :

is

no m')r::

1I1.1t what hall,

becl\

done

io Ihe fccood

H<!p

or

thi~

ex:t nple; yet by

puning

this

(h,lrp

10

the

{)th,

j[

is

¿

fhon

\Vdy

of t(¿nrpo(iogint<J

the

whúlc;

t

l.on

~

hciuw.

l t appcdrS f,onl hC!n\'e

t

thin

t!Jere :!.Teio

.dl

(jx{c(:n

key,s

in

lICC

j

a funct

(or

~ ;ea{

vaflcty:

aOlong wlllch

you

wdl

ohrenoe . th.H

(UOl~

fh.rp

keys have tJ<lts prefixcd. aoo

fome

Il .t ke}"s

hAve n\arps;

whi~clnnot

by

11115

tim!

appcar

Hr:io¡!c

to one

\\'ho

r ;;rccives the neceflity of pre–

(CI

ving

lhe proporuon,of

each, 3nd

whe

mufi

now un·

d~rn.lnJ

the

trlllh of

Ihe 3d

:uciom

or

the pr:tél ice, That

no tune eompoCeJ

in

a lh arp key

can

be tranCpoCed

into

a l1.u one, nor a

f1at

one into .a lharp;

for

thCil would be

altning

the

p~r1l1ílnent

n"Wre of things.

From comparifon of

the

cxamrlc:s. \ViII

be feen wh.!t

is lltoH

wnrthy of

n:maiking; whi..:h

¡so

T oat

wh,Hevt:r

nllrp~

or

fi

t~S

belong

ID

any f1;tt

kcy,

the

r ..

m~

are likc:·

w;(c t1n:

prC'lpelty

of

lha~

lharp kcy.

whil..h

is

on

lhe (ame

tlat key's 3d: fQr inUdnee. A with '" llar

,d.

and

e

\Vi,h • Olarp

3d ;

[o

D

and

F. G

.nd

B ;

.nd [o of all

otht:rs

rt..

rpc,~i vd y

havlllg the

fd.me

figns beJonging lOaod

prefi xc:d

lO

cacho

H ence we coJlt!8-,

thar

lhe

errl!;1tial diffaence

of

tune

confi:¡s in

the.: form, that

is,

the poútion of the femitone,

and not in

the

matcrials of mufiek.

A truth wh ieh appeared

b~(ore

in the

comparifon of

difcurd

with har01ony; and wh:ch will be of gn:at ferv iee

h er~

..

fle r,

in the are

ur

learn:ng

t O

!ing

by

note.

This

¡nrerenee furnifh es us wlth a proof o( tile 4th of

a

fl"

key. and

6,h

of a (harp key.

h.vi

ng for harmony

each

his own concurd.

A proor which

was wanling; as

it

could net be

ha¿

from

lht rules

01"

harmooy.

nei[her

of thefe

intervals

be,.

ing in the pl:tcc

a

r~mitone.

T he grnera! theorem is

this:

As

by

axiom 20 the propon ion of one úngle (ound

is

lO

annther

.\ccording

te

the natural order of founds ;

fo Ihe

propon ion of one chord to another \ViII

be

aecor–

ding ro the n¡¡tur,d fuccel1ion of chorJs. F or a chord

i.

no

oth ::r

th:tn an

uni,y

of founds. Rut

it

¡ppears

lh~

..

the

fuccdlion

or

chords

by tranrpo(jtion

in

thé

flJ t

key.

ti

by 4ths.

th ..

t

is,

lhe chord of

a

note., wi th

a llJ.t 3d ; anti

that

01'

thc note's 4th

is

the (ame . No,l',

(he

harmony of

the

kcy

or

givén

note is (he concord of

it(elr: thl! re·

rore

Ihe

h.ul1lony

of

lhe

4th in a

fl.a

key is

lhe

concord

o[ i, (elf.

] 11

hke manner \ve demon(lrate tite

h;\rmony of

che

6lh

of

a

013rp key ' o he ,he chord oi ,he

[.lIne.

.

Ano in this

lhe

proor

lies

nearer [he.

lHllh

than

tn the

former

ca(<-' .

f'or the ehord o r proportion here is

FlOI

only ,he fJm c,

but lhe indillJu:11 fO:..l nds.

F ur as

by

eOlTlp\r¡ron. as lbove. of

ar¡y RJt

key wich

the key of

its 3d

(\\hi~h

nlufl

ever be a fh ..

Hp

key.

che

Hu a:-:J Ilurp ;Js :'l.Ing th:

I.:Vlllp'-'UIIJ

int.:r\'

Jls

of

lh:

j

th)

lb"