CUZCO:
THE
HISTORIOAL
AND
MONUMENTAL
CITY OP'
PERU
In the earthq'llake that destroyed Cuzco Mareh 31, 1650, the
Te1111ple and Con
ven•t were b.áfdly damaged but afterward11 re-built
on their o.riginal
pla.ns.
The entrance to the Convent is particularly no.ted by its ril!ing
and narrow approach leading to a large ir.on gate and portico.
In it will be seen two rare paintings on the Conversion of the
In!!Mels.
fo
the Portar '.s 1-0dge attention will be attr.aictad to a painting
depfoting tragical scenes of
the Martyr.
It lack.E
no details
according to the Peruvian artist l'elipe CO'ssfo.
Following
into the first
cfoister
th-ere is revealed
to
the
dazzled sight
th
marvelous archit-ectlLTe whieh in material
of
Colonial ar
is probaibly the best to be seen in Cuzco if not in
all America,-
M o.rish pa iq, a pi
oi
Alhambra. as some say.
Seldoon :has isu
ki
s~one
ever been done. The surface ap-
pearance seems
e.reptibl<y
'oined. Frai Antonio Blanco waa
the director of th
· :rk.
The second e1ó1ster doe
It
would -seem
o h11
e-
ee
unknown arti
t.
The idea ho
of ·ornamentation.
not offe,r the same grade of work.
com.menc-ed but not finished by an
-ever is siimiliar but it lacks the degree
Many paintings ornament the walls of the cloister and the
ceiling in part rest
0
red. The pain:rtings
reqnesent the Lile of
Sa.n Pedro Nolasco
(founder of the Order), done
in 1763 by
Ignacio Chaicón. Amon.g them will be found severa! notable for
conception and oompo·sition -
for example,
the .one reprel!ell'
ting
the Muerte del Samto.
Th·e Chapter sala is worthy of an in'8'¡>ec-tion · especiiaHy itt
woodwork and severa} ipaintin•gs of .much value.'
The stainvay to the cloister is of gorgeous
constru~ion.
One
central st.airway
º!
stone, with high -0.ecoraited ceilings, leads
to a spruc1ous landmg place, thence divides into two following
to t he seoond floor.
On enitering the higher cloister the-re will be seen two large
port.raits,
in
úchly carved frames, of the benefactors of the Cen·
yent~
don Diega Var1gas
i
Car.baja] and doña Usa.nda Loaiz11.
i
Bar-